Hounds of love kate
During an interview with Richard Skinner, Bush revealed that her bassist Del Palmer created the hissing sound, while the train’s whistle comes courtesy of her Fairlight. Then the whole sonic journey closes with the a steam train pulling into a station, while sounding its whistle. Enter that celebratory chorus – “Yay-ee-yay-ee-yay-eeeeeee-oooooooooh!” – which opens the gate for childhood memories to skip through: “But every time it rains/ You’re here in my head…” As the arrangement swells, we note Bush’s Fairlight CMI obsession before military drumming adds urgency. “I still dream of Orgonon/ I wake up crying,” Bush sings, after a single cello note is played. Kate Bush’s masterpiece-within-a-masterpiece continues to play out over the end titles – you’d swear direction was timed to ensure the action was complemented by lyrics and crescendos in the song. This time we’re taking a squizzle at Kate Bush’s Hounds of Love (1985).Īfter a pivotal scene in Season 3, Episode 11 of The Handmaid’s Tale, Cloudbusting soundtracks the final moments, which alternate between the Marthas acting as crime-scene cleaners, and June waking up and putting on her Handmaid’s outfit. In Breakout Belter, Bryget Chrisfield explores a favourite record which spelled the lift-off to cultural stardom for an important act.